Hirante Welandawe on A Room of One’s Own

A Room of One’s Own is an extended essay published first in 1929, based on the lectures Woolf delivered at two women’s colleges at Cambridge University. Woolf’s writing is about the women’s struggle for independence and creative opportunity and is a landmark in feminist writing. At the commencement of the essay Woolf narrates how she […]

Hélène Solvay on La Grande Arche

A non-fiction narrative description of the journey from conception to construction of the Parisian monument La Grande Arche de la Défense. Through a series of interviews and extensive research, the author recounts and condenses the complexity of all aspects of state-funded, large-scale architectural projects – a fragile balance between beauty, technique, politics, and finance. Cossé […]

Helena Bonet Muñoz on The Restitution of African Cultural Heritage

Once the audio guide was in operation, we entered the Rietberg Museum through the Villa Wesendonck. We began to wander through the various rooms without any planned route, guided solely by our curiosity. Until the voice of the narrator started speaking, we felt a little overwhelmed by the large number of objects on display without […]

Helen Thomas, Alicia Yerebakan, Sol Pérez Martínez, Monica Ciobotar, Burak Kaya, Clara Gostynski and Jaehee Shin on Can Writing Be Activism?

  Helen Thomas : Group two, Session two! So we’re going to start off by reading out the statements by the first group to read this text going around in groups there are six statements and so somebody from each group is going to read one statement to each.   A. Disrupting dualism by acting […]

Helen Thomas on Witches and Gossip

For Women Writing Architecture, Silvia Federici’s book, Caliban and the Witch, is a central and influential text. Not bound by academic methodology and written with ideological energy it is easy to read without being explicitly emotional. Federici challenges and questions the location of women in history as hidden and secondary through her examination of one […]

Helen Thomas on The Hearing Trumpet

Within the heart of this book lies a mysterious, and although sinister, still compelling institution where women can enjoy the fruits of age, from growing a beard to discovering that women can be men in disguise and vice versa. The curious social and psychological character of the place is reflected in its architectural forms, which […]

Helen Thomas on Primero Sueño

This seventeenth century poem was first published in 1692, but the date of its writing is unknown. It is one of the most important poems written by Sor Juana Ines de la Cruz, who was born out of wedlock as Juana Ramírez de Asbaje in or around 1651. She chose to become a nun in […]

Helen Thomas on No more Frauenghetto, bitte

This provocative article written for the Neue Zürcher Zeitung, a serious high-quality Swiss newspaper for which Stahl was features section editor at the time, is a critical response to the exhibition ‘Frau Architekt’ held at the German Architecture Museum, Frankfurt. Stahl’s response won her the Michael Althen Prize for Criticism a year later, and provides an […]

Helen Thomas on Fahrten einer Paria

This annotation was written in 2021 in response to the SAFFA Growing Library’s call for commentary on books in their collection: I have two reasons for choosing this book – Flora Tristan sounds like an amazing and inspiring woman who I know almost nothing about. I have never read one of her books, and so […]

Helen Thomas on Death Comes for the Archbishop

This annotation was written in 2021 in response to the SAFFA Growing Library’s call for commentary on books in their collection: Choosing Fahrten einer Paria I:Peru by Flora Tristan, by association leads me to one of my favourite books ever, which is American novelist Willa Cather’s Death Comes for the Archbishop, published in 1927. There […]

Hannah Thiessen on A Queer Analysis of E. 1027

Katarina Bonnevier believes that the house, E. 1027, by Eileen Gray “hides and reveals simultaneously”. Gray’s first built home blurs spatial programmes, without discarding their remains. The building hides the ongoings inside, with an entrance from above and a private terrace at its depth. Bonnevier explains that while that the layout protects its visitors, it […]

Guktae Lim on Can the Machine be an Actor?

Since the rise of modernity, humans have largely disregarded the value of non-human entities such as nature, technology, and other non-human beings. Should this approach be rethought, and should the distinction between human and non-human subjects be abolished? In a seminar course on architectural criticism titled ‘Architecture × Nature’ at the Korea National University of […]

Guilah Naslavsky on Brasil, Nordeste, Mulheres Arquitetas

This publication was organized by the architects Guilah Naslavsky and Andréa Gáti, it is a collection of articles that resulted from research on architecture and gender in Northeastern Brazil. The objective is to give visibility to the trajectories of some female architects who worked in the region and were forgotten by the Brazilian hegemonic architectural […]

Grégoire Bridel and Remy Carron on Staying with the Trouble

In the last chapter of her book, Donna Haraway tells the fabulated story of the ‘communities of compost’ and tracks their evolution over five generations. In these communities, the ‘children of compost’ recrafted the conditions of living and dying to enable flourishing in the present and in times to come. Their work is international kin […]

Friederike von Rauch on Piranesi

‘The beauty of the house is immeasurable, its kindness infinite.’ I felt very close to this book, although fantastic fiction is not my favorite genre. I absolutely loved the precise descriptions of the house in its grandeur, with all its many halls and sculptures, and its enormous ‘benevolence’ towards its inhabitant. I visualise it like […]

Francisco Moura Veiga on Interview with Annebella Pollen on the Typology of the Photobooth

Annebella is not an architect, she is a photography historian, researcher, and lecturer. This helps to give background to my surprise at how sharp and precise her takes on the typological analysis of photobooth are in this text. Without neglecting the sharing of the information specific to her background, Annebella expands on the formal, material, […]

Francisco Moura Veiga on AG 4 – Tiergarten

Before reading the AG4, I saw Sandra presenting its content at a small symposium at the Arkdes, in Stockholm, back in 2017. Besides a deep knowledge of the site’s past and present, Sandra shared with us a fantastic enthusiasm for both the Tiergarten and for the detailed, emotional analysis of it she had undertaken. While […]

Fabian Güzelgün on Culture Strike: Art and Museums in an Age of Protest

The rain was pouring while we were standing at the entry in front of the Kunsthaus. A well-needed canopy in our own hands, thanks to the colleagues who were prepared and brought an umbrella. We waited for the church bells to ring at 9 am and then ran inside, together with the other “kaffee schabracken” […]

Estelle Gagliardi on Where Are the Women Architects?

Margaret Hicks, does this name sound familiar? To me, it was unheard of before reading Despina Stratigakos’s book ‘Where are the Women Architects?’. Somehow, sadly, Margaret was the first US woman to obtain a degree in architecture, more than that, she was the first ever woman to have her work published in an architectural journal, […]

Estelle Gagliardi on Bauhaus-Frauen: Meisterinnen in Kunst, Handwerk und Design

The text below contains my contribution to the printed book, ‘Lives of the Most Excellent Architects’, edited and curated by Thomas Weaver and Cecilia Da Pozzo (2024). This work stems from a course taught during the spring semester of 2024 in Mendrisio.  In this piece, I present an intimate conversation with Lilly Reich, which serves as […]

Erica Vinson on Preserving Women’s History in American Libraries

Abigail Van Slyck’s exploration of the library interior is a compelling description of the importance of women and women’s labour on the architectural interior and the structural barriers that continue to keep women’s narratives out of history. In On the Inside: Preserving Women’s History in American Libraries, Van Slyck advocates for preserving the interior and […]

Erandi de Silva on Room at the Top

Originally penned in 1975 and held from publication for fear of a ‘hostile reception’, this article is an honest and important record of architect Denise Scott Brown’s encounters with misogyny as a professional. Even today, despite the progress made by multiple waves of feminism and the more recent #MeToo movement, women still have a distance […]

Erandi de Silva on Pandemic is a Portal

Arundhati Roy was trained as an architect and matured to become a writer and one of India’s leading public intellectuals. This prophetic piece was written in the midst of the climate crisis and in the early days of the Covid-19 pandemic, when many nations in the Global South went into lockdown with little regard for […]

Erandi de Silva on Geoffrey Bawa

There is an urgent need for perspectives in architecture that come from the ground up and this book demonstrates the invaluable and deep insights that authors who share a cultural context with their subjects can offer architectural discourse. Within these pages Shanti Jayewardene does the intellectual work of unpacking the inimitable Geoffrey Bawa’s legacy in […]

Erandi de Silva on An Autobiography

Writing in her late-twenties, Angela Davis’ autobiography documents her childhood, education, activism, resulting imprisonment, and trial. Using her lived experience, Davis makes a case for the abolition of prisons, offering a critical perspective on the larger systems surrounding this architectural typology and provides insight on how we as individuals can become engaged to minimize oppression […]

Emma Letizia Jones on The Printed and the Built

Emma Letizia Jones on The Art of Memory

While great writing about architecture has been dominated by men, although this has shifted in the last 20-30 years, I feel that the discipline of art history has, in contrast, long championed great women writers and historians. When I think of great writing by women on architecture, I find that I more frequently turn to […]

Emma Letizia Jones on Plaster Monuments

Another book about architecture and memory, a very recent one, this time examining its preservation through cast copies. This book is very close to my own research interests, and deals with the topic of ornament and its reproduction in a very novel way. Lending is really concerned with cast fragments not as isolated educational or […]

Emma Letizia Jones on Michelangelo, Drawing, and the Invention of Architecture

Cammy Brothers is a prolific Italian Renaissance scholar. She is closer to an art historian, but I also appreciate that her work is not concerned with the boundaries between art and architecture, which in fact reflects a very Renaissance stance. For Brothers to focus on Michelangelo’s drawings and what they reveal about his turn to […]

Emma Letizia Jones on Goodbye to All That by Joan Didion

I have always admired Joan Didion because she is a rock star – as much as any writer can be. She is cool, which is rare, and not something you can learn. She is not strictly an architecture writer, but she writes about the intersection of place and memory in an entirely different yet complementary […]