Collections Citations

Guktae Lim on Can the Machine be an Actor?

Since the rise of modernity, humans have largely disregarded the value of non-human entities such as nature, technology, and other non-human beings. Should this approach be rethought, and should the distinction between human and non-human subjects be abolished? In a seminar course on architectural criticism titled ‘Architecture × Nature’ at the Korea National University of […]

13 January, 2025

Charly Jolliet on De l’éclectisme au doute

A WHITE SANCTUARY E-1027, a house born from a collaboration between Eileen Gray and Jean Badovici, was conceived and designed with emotions. It reflects their shared ideals and their individual perspectives while also embodying their relationship. Gray brought an acute understanding of how people live, creating spaces that respond to both practical needs and emotional […]

6 January, 2025

Gayoun Jang on The Ornamental Design of the Chosun Dynasty House

  The Ornamental Design of the Chosun Dynasty House written by Chun Byung-Ok, shows a wide array of elements of the Hanok, the traditional Korean house, using photographs, drawings, and text. Covering everything from floor plans to individual pieces of furniture, the book reveals diverse aspects of traditional Korean architecture that are often overshadowed by […]

28 November, 2024

Isabela Ferrari Rey Carneiro on Megafauna Bookshop

As I approached one of the most fascinating residential complexes I’ve had the chance to visit in Brazil, a new storefront caught my eye. It’s been over a decade since I began viewing that part of the city through an architectural lens, and COPAN—the iconic housing project by Oscar Niemeyer in São Paulo—is no stranger […]

25 November, 2024

Jaehee Shin on 광한전백옥루상량문 廣寒殿白玉樓上梁文

노을 위의 은빛 창문에서 구만리 희미한 세상을 내려다보고, 바닷가 문에서 삼천 년 상전벽해를 웃으며 보고 싶다. 손으로 하늘의 해와 별을 돌리고 몸소 구천의 바람과 이슬 속을 노닐고 싶다. From a silver window overlooking the sunset, I look ten thousand miles to the dim world below. On the seaside door, I want to contemplate the three-thousand-year-old […]

25 November, 2024

Huriye Nur Aksoy on Just Kids

Just kids. More than a biography. A quest. A story of self-discovery. In Patti Smith‘s narrative, the spaces she inhabits transcend mere physical settings. They are the silent architects of her identity, shaping not only her artistry but also the very essence of her being. Each place in the story—be it the chaotic streets of […]

16 November, 2024

Soojung Yi on Potato Flowers

Fifty-five stories by a photographer Jeeyoun Kim began taking photographs in her early 50s, and then published a book of prose, rather than photographs, in her 70s. ‘I struggled through middle age. When I turned fifty, I finally found photography’, she wrote in her autobiography, Life in the Fog. In various solo exhibitions including ‘Rice […]

16 November, 2024

Jessie Buckle on What Can a Body Do? How We Meet the Built World

Sara Hendren provides a series of vivid stories drawn from the lived experience of disability and the ideologies and innovations that have emerged from it. ‘What Can a Body Do?’ is a phrase initially coined by philosopher and gender theorist Judith Butler in conversation with Sunaura Taylor in The Examined Life, a documentary which has […]

13 November, 2024

Lucy Byatt on The Wild Geese

I’m particularly interested in this poem by Violet Jacob, who was a posh woman from a big house, the House of Dun in Montrose. She was encouraged in her writing by journalist, writer and editor Hugh MacDiarmid, who lived nearby. When her only son died in the First World War, it influenced her poetry. I […]

28 October, 2024

Soo Jin Kim on The Master’s Tools will Never Dismantle the Master’s House

  I no longer recall exactly when I first encountered Audre Lorde’s essay “The Master’s Tools Will Never Dismantle the Master’s House” (1983), but after reading it, the text stayed with me, becoming one of the sharpest tools in my life—particularly, during my studies in architecture within a European context. In this essay, Lorde emphasizes […]

23 October, 2024

Jihyeong Lee on The Silent Spring

Everything we release comes back to us in some form, like an endless stream of looped rivers. And it flows everywhere, whether it is clumped or unclumped. It is in this sense that there is no nature untouched by humans. The entire system changes when some artificial action occurs. At first, people believed that changes […]

21 October, 2024

Helen Thomas, Alicia Yerebakan, Sol Pérez Martínez, Monica Ciobotar, Burak Kaya, Clara Gostynski and Jaehee Shin on Can Writing Be Activism?

  Helen Thomas : Group two, Session two! So we’re going to start off by reading out the statements by the first group to read this text going around in groups there are six statements and so somebody from each group is going to read one statement to each.   A. Disrupting dualism by acting […]

2 October, 2024

Carla Capaul on Annelise Leu, die Schweizer Hotelpionierin

In the summer of 2024, Carla Capaul, director of the Hotel Alpina Lumbrein in Val Lumnezia, Graubünden, and Jaehee Shin, editor at Women Writing Architecture, met in the gardens of zum Alten Löwen in Zurich to talk about Annelise Leu, Switzerland’s first female hotelier, and her granddaughter Nina Zumthor, who has written a book about […]

2 October, 2024

Emilie Appercé on The Power of Place

The Power of Place, published in 1997, is relevant to anyone involved in the process of spatial and cultural production, or to young architects in search of alternative practices. It is for those who acknowledge the real way architects work, as a collective enterprise, which is not often the way architects talk about their work. […]

7 September, 2024

Helen Thomas on Witches and Gossip

For Women Writing Architecture, Silvia Federici’s book, Caliban and the Witch, is a central and influential text. Not bound by academic methodology and written with ideological energy it is easy to read without being explicitly emotional. Federici challenges and questions the location of women in history as hidden and secondary through her examination of one […]

8 August, 2024

Helen Thomas on Pionierinnen und Pioniere

  Berta Rahm is an important inspiration for women writing architecture, especially through her publishing work, which she carried out under the title ALA Verlag (1966-1993). Pionierinnen und Pioniere is one of the books that she produced during that time. Edited and written with her colleague, Renate Möhrmann, the pioneers referred to in the longer […]

31 July, 2024

Estelle Gagliardi on Bauhaus-Frauen: Meisterinnen in Kunst, Handwerk und Design

The text below contains my contribution to the printed book, ‘Lives of the Most Excellent Architects’, edited and curated by Thomas Weaver and Cecilia Da Pozzo (2024). This work stems from a course taught during the spring semester of 2024 in Mendrisio.  In this piece, I present an intimate conversation with Lilly Reich, which serves as […]

29 July, 2024

Helen Thomas on Spinnerei

Although written in German, this story uncovering a complex socio-economic situation can be understood with even a rudimentary – a childlike – grasp of the language. That is, I, a perpetual student of German, could follow it, supported by sequences of drawings that show in fascinating detail the human, the architectural, landscapes of Glarus and […]

29 July, 2024

Estelle Gagliardi on Where Are the Women Architects?

Margaret Hicks, does this name sound familiar? To me, it was unheard of before reading Despina Stratigakos’s book ‘Where are the Women Architects?’. Somehow, sadly, Margaret was the first US woman to obtain a degree in architecture, more than that, she was the first ever woman to have her work published in an architectural journal, […]

17 July, 2024

Pilgu Chang on The Modern Kitchen – Birth and Other Stories

It’s common to greet someone by asking ‘Have you eaten?’ or saying ‘Let’s have a meal’ in Korea. It is seen as a way to build intimacy. The kitchen is therefore the heart of the home, where meals are prepared and organised. The author of The Modern Kitchen – Birth and Other Stories, Younjung Do, […]

10 July, 2024

Soyeong Park on SOFA magazine

  Completion-poly 준공마블, a board game created by the Society of Feminist Architects, or SOFA for short, reminded me of the acclaimed Korean Pavilion at the 15th International Architecture Exhibition – La Biennale di Venezia, The FAR Game: Constrains Sparking Creativity. If the FAR Game which stands for the game of Floor Area Ratio, visualized […]

26 June, 2024

Carmen Espegel on Mujeres de la Bauhaus, de lo bidimensional al espacio total

Nos encontramos ante un apasionante escrito donde Josenia Hervás registra la historia de la Escuela de la Bauhaus desde una perspectiva singular y novedosa, la de género, que permitirá comprender, de forma más amplia y objetiva, lo que aconteció dentro de los muros de tan innovadora escuela. Entre los consabidos relatos e imágenes de esta […]

22 May, 2024

Annamaria Prandi on Sputiamo su Hegel

Carla Lonzi’s figure is fundamental for understanding Italian feminism in the 1970s, within which Lonzi occupied a radical position that can be understood by reading three books by her: Manifesto di Rivolta Femminile (1970), Sputiamo su Hegel (1978) and La donna clitoridea e quella vaginale (1974). These and other texts were published at the time […]

20 May, 2024

Natália Peťková on Things I Don’t Want to Know, The Cost of Living & Real Estate

Deborah Levy is a British novelist, playwright and poet. She was born in Johannesburg, South Africa, the granddaughter of working-class Lithuanian Jewish immigrants on her paternal side and an upper-middle-class English family on her maternal side.  Her father, Norman Levy, was a historian and a member of the African National Congress. He lived under a banning order from the Apartheid government from […]

19 March, 2024

Shen He on texts by Simon(e) von Saarloos

On Valentine’s Day 2024, Shen He invited a group of people for an Anti-Valentine’s discussion and meal. These were Geraldine Tedder, Tine Milz and Helen Thomas, who came to Kunsthalle Winterthur for a conversation about Simon(e) von Saarloos and their book Playing Monogamy, which brought several of their works into play. Each of the speakers […]

5 March, 2024

Kenneth Andrew Mroczek on Juliaan Lampens

Kenneth Andrew Mroczek suggested Juliaan Lampens, edited by Angelique Campens, to women writing architecture. He sent us a link with the following review by jw468 on Goodreads: September 13, 2014 Originally posted 04/09/2014 I put off ordering a copy of this book and now it’s become expensive; however, the graphic designer has made the entire […]

29 February, 2024

Efua Boakye on Bad Behaviour

Bad Behaviour consists of multiple short stories. Set in 80s New York, Gaitskill’s narratives capture the essence of the city through the way the characters interact with one another. Not only are the stories in the book about interpersonal relationships and how people treat each other, but the descriptions of the spaces that the characters […]

31 January, 2024

Ellis Woodman on Baggage

While renowned for her subsequent career as a broadcaster and newspaper editor, Janet Street-Porter spent two years as a student at the Architectural Association from 1965-67. The first volume of her autobiography Baggage: My Childhood (2004) offers a richly evocative description of the AA at a time of dramatic social and artistic upheaval. Her experiences […]

25 January, 2024

Nicolai Dinkel on Culture Strike: Art and Museums in an Age of Protest

While exploring the Kunsthaus Zürich, I observed a recurring pattern within my group – each time we encountered a new entrance, we would come to a halt. Our guide would then share insights about the Kunsthaus or read aloud an article, adding an enriching layer to our visit. It intrigued me to realize the frequency […]

15 January, 2024

Che Facchin on Culture Strike: Art and Museums in an Age of Protest

The Reading Circle started off with a separation of the attendees into groups. Every group would receive a certain perspective into the world of the Kunsthaus, all of which were then discussed collectively. The visit confirmed many opinions I had already had of highly institutionalized museums, like the atmosphere of tension or the high threshold […]

15 January, 2024

Fabian Güzelgün on Culture Strike: Art and Museums in an Age of Protest

The rain was pouring while we were standing at the entry in front of the Kunsthaus. A well-needed canopy in our own hands, thanks to the colleagues who were prepared and brought an umbrella. We waited for the church bells to ring at 9 am and then ran inside, together with the other “kaffee schabracken” […]

15 January, 2024

Julian Merlo on Culture Strike: Art and Museums in an Age of Protest

The Reading Circle at the Kunsthaus Zürich guided us through the highly contested art institution, a “box with only backsides” as it was described in the closing discussion. These “backsides” became even more apparent in our tour, led by (students impersonating) the cleaning team, an invisible workforce, operating out of hidden “backrooms” and closed doors, […]

15 January, 2024

Ladina Naegeli on Culture Strike: Art and Museums in an Age of Protest

Arriving in front of the Kunsthaus the rain trickles on my head. There is no shelter, not even at the tram next to me. Why wouldn’t they make the entrance more comfortable? I’m sorted into a small group of 6 people, and I suspect some went to the wrong one. Our group is then led […]

15 January, 2024

Lukas Nussbaumer on Culture Strike: Art and Museums in an Age of Protest

From accepted and unaccepted donations Opposite the Kunsthaus on Heimplatz is the Schauspielhaus Zurich: Pfauen. During the National Socialist era, it was the only free theatre stage in the German-speaking world. This made it a centre for German and Austrian actors who emigrated from their home countries, and thus it was also a centre of […]

15 January, 2024