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Mary Norman Woods on The Invisible Flâneuse

In Janet Wolff’s article on the gendering of modern urban spaces, she argues that the flâneuse was not only invisible but really non-existent. Instead it was the flâneur, the male stroller and wanderer allowed to gaze and reflect on chance, fleeting, and impersonal encounters, that first Charles Baudelaire, Georg Simmel, Walter Benjamin, and then Richard […]

31 March, 2021

Mary Norman Woods on Jane Drew Memoirs

Although there has been a Jane Drew Prize honouring innovation, diversity, and inclusiveness in architecture since 1998, writings about the award’s namesake are rather few in number: a tribute written by friends and colleagues on the occasion of her 75th birthday in 1986: a monograph on Drew and her partner and husband Maxwell Fry’s practice […]

31 March, 2021

Mary Norman Woods on Brinda Somaya

Full disclosure I was involved in planning this monograph, contributed an essay, and moderated one of its dialogues between Somaya and others. Still I am immodest enough to include it because this publication is an important departure from the typical architect’s monograph. It is really an archive between two covers, documenting a multifaceted practice of […]

31 March, 2021

Maristella Casciato on l’architettrice

Who is ‘l’architettrice’ – the woman architect in the title of this novel? She is Plautilla Bricci, or Briccia, (1616-1705), the first architect of modern history. Until recently she was ignored, and now is very much in the spotlight. The author gives us the portrait of an extraordinary woman in the seventeenth century, who was […]

29 January, 2021

Mariana Siracusa on The Lure of the Local

Up close and personal: This is how Marguerite Duras in ‘Écrire’, Lucy Luppard in ‘The Lure of the Local’, and Rosalind Krauss in ‘Passages in Modern Sculpture’ describe the ‘spaces’ and ‘places’ they write about. The stories they tell are always about personal experience, even private in Duras’ case, and this allows readers to picture […]

24 June, 2021

Mariana Siracusa on Passages in Modern Sculpture

Up close and personal: This is how Marguerite Duras in ‘Écrire’, Lucy Luppard in ‘The Lure of the Local’, and Rosalind Krauss in ‘Passages in Modern Sculpture’ describe the ‘spaces’ and ‘places’ they write about. The stories they tell are always about personal experience, even private in Duras’ case, and this allows readers to picture […]

24 June, 2021

Maria Lederer on Interiors: nineteenth-century essays

In a feminist review by Juliet Kinchen, “Interiors: nineteenth-century essays on the ‘masculine’ and ‘feminine’ room” unpacks the constraining gender normalities that existed in the Western world for users of the home. The author initially states that the home represents the “antithesis of public space” (Kinchen, 13), an environment in which women, the assigned decorators […]

21 November, 2023

Maria Conen on Why have there been no Great Women Artists?

This essay talks about the notion of ‘Greatness’ in the art context. How ‘great’ artists and art is constructed in our society and what this means for female artists. Linda Nochlin shows the patterns according to which art institutions have always been organized and influenced the art scene. These descriptions and observations can probably be […]

29 June, 2021

Maria Conen on A Room of One’s Own

Virginia Woolf asks in her text why women publish so little. One of her answers is that they usually do not have their own room. In this context, ‘one’s own room’ stands symbolically both in real spatial terms as a place of demarcation, but also in a figurative sense as a space for thoughts and […]

29 June, 2021

Lulu Crouzet on Throwing Like a Girl

Context “Throwing Like a Girl” was first presented in 1977, at a time when feminist theory was engaged with phenomenology and existentialism. Feminist theorists resisted the idea that men and women were the same and pushed for institutional and societal reform because of inherent patriarchal systems. The essay examines how norms shape the feminine movement […]

16 March, 2025

Lulu Crouzet on Give me a Gun

Context The essay discusses representation and architectural theory through the lens of Actor-Network Theory (ANT), a framework developed by Bruno Latour, and others. ANT emphasizes that meaning and definition come from relationships and that those are forever shifting. Therefore, the dynamic and interconnected nature of social and material worlds challenges the sometimes static or isolated […]

15 April, 2025

Lukas Nussbaumer on Culture Strike: Art and Museums in an Age of Protest

From accepted and unaccepted donations Opposite the Kunsthaus on Heimplatz is the Schauspielhaus Zurich: Pfauen. During the National Socialist era, it was the only free theatre stage in the German-speaking world. This made it a centre for German and Austrian actors who emigrated from their home countries, and thus it was also a centre of […]

15 January, 2024

Lukas Buettner on The Restitution of African Cultural Heritage

The Kunstmuseum Rietberg exhibits its large collection in a very neutral and non-judgemental way. As a result, visitors are quickly tempted to stroll through the rooms at a certain speed and with a certain indifference. The only thing that changes impressively for the visitor is his surroundings. A park, a villa, a bunker. The experience […]

8 November, 2023

Lucy Byatt on The Wild Geese

I’m particularly interested in this poem by Violet Jacob, who was a posh woman from a big house, the House of Dun in Montrose. She was encouraged in her writing by journalist, writer and editor Hugh MacDiarmid, who lived nearby. When her only son died in the First World War, it influenced her poetry. I […]

28 October, 2024

Lucia Rocchelli on Feuerlilie

Two sisters, one officially mad, and a male refugee, escaped from hell and are still fighting the nightmare back. Their somewhat distorted perception of the built environment proves yet to be an acute one: doors are tricky thresholds to frightening memories, every tiny detail matters. This tale explores our intuitive relationship with architectural elements and […]

17 February, 2025

Loudreaders on While They Sleep

A post-hurricane manifesto, Salas Rivera’s While They Sleep: Under the Bed is Another Country constructs a critique of necropolitics, necrocapitalism, coloniality, oppression, and other imaginaries. The main text in English addresses the US empire and its necropolitical implications on its colonial subjects, while the footnotes, in Spanish, propose answers as coming from its colony in Puerto Rico.

24 June, 2021

Loudreaders on Unstitching Rex Trueform

Ilze Wolff surveys the biopolitics and white supremacist infrastructures and superstructures of a textile factory building during the years of apartheid in Cape Town. In the form of decolonial radiography, the book dissects and scrutinizes everything, from racist factory legislation to architectural features of racial and gender segregation, to machines that reinvented time through cyclical […]

24 June, 2021

Loudreaders on The Tertiary

Salas Rivera reexamines in this bilingual book theories of value in Marxist economics and suggests that just as labour is usually the ‘third thing that gives value’, there are also other tertiaries between ‘colonialism and Puerto Rico, queer and transness, the binary of colony and empire.’ Salas Rivera introduces The Tertiary

24 June, 2021

Loudreaders on Scenes of Subjection

The fifth chapter of Scenes of Subjection, ‘Fashioning obligation: Indebted Servitude and the Fetters of Slavery’, offers reading to understanding the afterlife of slavery, not as legacy but through the mechanisms that operate today. As contemporary anti-racist feminist movements in colonized territories employ subversive interruptions to coloniality and work through decolonial praxis, it becomes imperative […]

24 June, 2021

Loudreaders on Queer Cartographies

Madrid-based collective VenidaDevenida introduces Paul B. Preciado’s text on subversive urban cartographies, the post-porn work of Annie Sprinke, and the need to distance from hegemonic and institutional readings of gayness through the eyes of white men in the seventh session of Loudreaders. Building on Preciado’s text, VenidaDevenia proposes architectural interventions that subvert heteronormative readings and […]

24 June, 2021

Loudreaders on Parable of the Sower

Butler renders despair, selfishness, and decay in a world of exacerbated inequalities and asymmetrical accumulation of wealth. It is difficult to tell if this is climate apocalypse is somewhere in the future, or something many people have to live through now. Traumnovelle loudreads Parable of the Sower on the first session of Loudreaders, as the COVID […]

24 June, 2021

Loudreaders on Learning to Become an Extremophile

In Learning to Become an Extremophile, Ailo Ribas borrows a term coined by NASA to propose a form of existence based on the adaptation to extreme environments. In the face of constant and extreme threats, the (trans) extremophile redefines survival, learns to move across and between spaces, environments, and relationships.

24 June, 2021

Loudreaders on Learning From the Virus

For Silvia Federici and Paul B. Preciado, the body is the centre around which capitalism, class, exploitation, and politics turn. Federici rethinks the origins and development of capitalism and a long history of models of resistance from a feminist viewpoint, while Preciado proposes to look at links between community and immunity, health and class, and […]

24 June, 2021

Loudreaders on Gore Capitalism

Sayak Valencia reads the border between Mexico and the US in Tijuana as a case study of the relationship between hyperviolence and law, militarization and the commodification of death, geopolitical borders, and the ‘post colonies,’ norm and exception, the state of war and states of security and freedom. Gore Capitalism is a critical gospel for […]

24 June, 2021

Loudreaders on Fronts

In the third session of Loudreaers Trade School, Ersela Kripa and Stephen Mueller presented their research on the urban simulations of military fronts on the border between the US and Mexico. Fronts: Military Urbanism & the Developing World dissects the potemkinesque simulation of racialized spaces and subjects while setting a dangerous blueprint for architectures of imperialist warfare, […]

24 June, 2021

Loudreaders on Farming While Black

Through biographical anecdotes and historical connections, Leah Penniman takes us through an imaginary tour of land reclamation, reparations that go from the settler-colonial occupation of the land, through models of feminist resistance like Combahee River Colony, to today’s strategies to relate to the land as black people. The editors of Deem Journal introduce Farming While Black […]

24 June, 2021

Loudreaders on El Lector

In El Lector, Araceli Tinajero traces the Cuban beginnings and describes the evolution of the loudreaders and the role of iconic figures like the Puerto Rican feminist and anarcho-syndicalist Luisa Capetillo in the tobacco factories across the Caribbean and US as they were able to establish networks of subversive solidarity that promoted emancipatory practices. Among the […]

24 June, 2021

Loudreaders on Ch’ixinakax utxiwa

Using the indigenous groups of the Andes region as the focal point, Silvia Rivera Cusicanqui proposes that indigenous ‘were and are, above all, contemporary beings and peers’ with their own commitment to modernity. Against what she calls the ‘cultural postmodernism, imposed by the elites and reproduced by the state in a fragmented and subordinate way’, […]

24 June, 2021

Loudreaders on Caliban and the Witch

Federici explores the relationship between primitive accumulation, gender, and race by drawing from the myths that created and hunted witches in Europe and through the Shakespearean character of Caliban. Federici intersects Marx through the evolution of early capitalism in relation to the exploitation of the body of women and workers.

24 June, 2021