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Nicolai Dinkel on Culture Strike: Art and Museums in an Age of Protest
15 January, 2024
While exploring the Kunsthaus Zürich, I observed a recurring pattern within my group – each time we encountered a new entrance, we would come to a halt. Our guide would then share insights about the Kunsthaus or read aloud an article, adding an enriching layer to our visit. It intrigued me to realize the frequency with which one traverses distinct „portals“ or „thresholds“ while navigating the Kunsthaus Zürich, each serving as a gateway to the art within. This brought to mind my reflections on Löwenbräukunst, a topic I delve into and analyze in my draft. Interestingly, a similar experiential thread runs through Löwenbräukunst, despite the inherent differences between the two art houses.